Words and Deeds (577 People)

Yesterday, during a dinner conversation, I was asked why I’d been silent, why I hadn’t been writing anything about the war. Was it because I was afraid of going to jail, or was it something else? These questions were posed point blank albeit sympathetically.

I’ve been asking myself this question for many months. On the one hand, it’s stupid to deny that watching as my acquaintances are given devastating prison sentences does not affect me in any way. It makes an impression, of course.

On the other hand, I wonder what would I write or say now if the level of state terror had remained at least at pre-war levels. I realize that I would still write or say nothing. I can hardly squeeze this text out of myself. I’m just explaining myself because yesterday was not the first time I’ve been asked why I haven’t been writing anything about the war.

I feel that words have lost their meaning.

One of the ideologues of the war, who constantly makes allegations about the “genocide of the Russian language,” writes bezpilotnik, obezpechenie, na primer, and ne obezsud’te. [Instead of the correct spellings bespilotnik, obespechenie, naprimer, and ne obessud’te — meaning, respectively, “drone,” “provisions,” “for example,” and “don’t take it amiss.”] No one corrected him for a year. Compared to him, I’m a total expert on the Russian literary language, but I don’t have the words to stop cruise missiles or send soldiers home, while his bezpilotnik turns residential buildings into ruins in a second.

I do not know what words to find for a mother who, conversing with her POW son, regularly interjects “bitch” and “fuck.” Or for a mother who, as she sees off her son, smiles at the camera and says what actually matters is that she didn’t raise him to be a faggot, and basically, if push comes to shove, she has another child. Moreover, the supplies of such people are really endless.

Now, sadly, only the Ukrainian Armed Forces can “explain” anything. I am not trained in military affairs. So I am silent.

Source: Yevgeny Levkovich (Facebook), 2 March 2023. Translated by the Russian Reader


Separately on Friday, police briefly detained Yevgeny Levkovich, a reporter for Radio Svoboda, RFE/RL’s Russian service, at his home in Moscow, and charged him with “discrediting the army,” according to news reports and Facebook posts by Levkovich.

[…]

In Moscow, police detained Levkovich for about five hours at the Teply Stan police station and charged him under Article 20.3.3 of the Administrative code for allegedly discrediting the army; convictions for that offense can carry a fine of up to 50,000 rubles (US$613).

Levkovich wrote on Facebook that his trial was scheduled for Monday, but he did not plan to attend because he did not “see the point” in contesting the charge.

Radio Svoboda wrote that the charge was likely related to Levkovich’s posts on social media, but did not say whether authorities had specified any posts prompting the charge. On his personal Facebook page, where he has about 36,000 followers, Levkovich recently wrote about Russia’s war on Ukraine.

Source: “Russian journalists labeled as ‘foreign agents,’ detained, and attacked while reporting,” Committee to Protect Journalists, 11 April 2022


These are the numbers. I want to do something so that people don’t get caught, and even more actively support those who do get caught. But in the first case, it is unclear what these people are reading, and where the safety recommendations should be published so that they are accessible to such people. And we are already working on the second case, but we lack the human resources.

Those arrested for radical anti-war protest are heroes, although sometimes the charges are completely trumped-up. In any case, all of them deserve support. Solidarity Zone regularly writes about such political prisoners, publishes addresses where you can send them letters, and raises funds to pay their lawyers. Sign up to get news of what is happening to these people and, if possible, get involved in supporting them.

Source: Ivan Astashin (Facebook), 25 February 2023. Translated by the Russian Reader


Solidarity Zone: Numbers

112 people are being prosecuted on charges of carrying out or planning radical anti-war acts.

Solidarity Zone counted how many people have been criminally charged with setting fire to military enlistment offices, sabotaging the railroads and other militant anti-war actions, or planning them, in the year following [Russia’s] full-scale invasion of Ukraine.

What police investigators allege these people have done to warrant criminal prosecution:

1 — “other”

7 — torched vehicles marked with the letter Z

17 — planned arsons of military enlistment or other government offices

36 — sabotaged the railways

51 — torched military enlistment or other government offices

Articles of the Russian criminal code under which these people have been charged:

36 — Article 205: Terrorist Act

31 — Article 167: Destruction of Property

15 — Article 281: Sabotage

14 — Unknown

12 — Article 213: Disorderly Conduct

4 — Other Criminal Code Articles

Of these people:

78 are being held pretrial detention centers (remand prisons).

5 have been sentenced to parole.

4 are serving prison sentences.

1 is under house arrest.

1 has been released on their own recognizance pending trial.

There is no information about 23 of them.

Our statistics are incomplete because the Russian authorities do not always report new criminal cases. Sometimes we only get reports that people have been detained, with no mention of their names or the charges against them, and these reports are thus extremely hard to verify.

Our statistics do not include people who were killed by the security forces during arrest or people prosecuted on administrative charges.

Source: Solidarity Zone (Facebook), 24 February 2023. Translated by the Russian Reader. Here, by way of comparison, are OVD Info’s statistics for numbers of people criminally (as opposed to administratively) prosecuted for “non-radical” anti-war actions since 24 February 2022:

Total defendants: 465 in 77 regions (we include occupied Crimea and Sevastopol in our data because we monitor activities of repressive Russian government authorities that operate there).

Women among the defendants: 90 (19%)

Minors among the defendants: 6 (1%)

(Section 3, Article 207.3 of the Criminal Code) Prosecuted for “spreading fakes about the Russian army” (ie talking about the war in an unsanctioned manner): 141 (30%)

(Section 3, Article 280.3 of the Criminal Code) Prosecuted for “discrediting the Russian army”: 54 (12%)

Convicted: 119 (26%)

Imprisoned upon conviction: 26 people

In pre-trial detention: 108 people

Under house arrest: 17 people

Convicted and given a non-custodial sentence: 62 people

It thus follows that a total of 577 Russians have faced criminal prosecution for anti-war actions of all kinds (violent and nonviolent) since the start of their country’s invasion of Ukraine. As Ivan Astashin, a former political prisoner himself, argues, above, all these people are, indeed, heroes. It’s another matter that they constitute a statistically insignificant segment of the world’s ninth most populous country. Again, by way of (invidious) comparison, at least 1,003 Americans have been charged with crimes for their alleged involvement in the 6 January 2020 riot at the US capitol.

Meanwhile, in Iran (population: approx. 87 million):

At least 522 people have been killed in four months of anti-government protests in Iran, said a report issued on January 15 by the U.S.-based Human Rights Activists News Agency (HRANA). Among the dead are 70 minors and 68 security forces, the agency reported. Nearly 20,000 people had been arrested, 110 on charges that could lead to a death sentence, it said. Four have been executed. Protests were triggered by the death in custody of Mahsa Amini, 22, an Iranian Kurdish woman who was arrested by morality police for allegedly not complying with Islamic dress codes. ||| TRR


Evgeny Krupitsky writes:

I would argue that those who were forced to leave Russia due to Putin’s unleashing of illegal aggression against Ukraine could file a class action lawsuit against the Russian Federation or the ruling elite of the Russian Federation demanding compensation for the moral anguish and economic harm suffered as a result of these events. The Russian federal authorities must fully compensate them for expenses incurred by forced relocation, such as the cost of airplane and other tickets, accommodation in hotels and rented accommodation abroad, and other expenses. Compensation could also include the irreparable losses suffered by citizens within the country due to forced relocation — for example, the loss of a job or a business. Compensation for emotional suffering is a separate issue.

Payments could be made from the Russian federal budget, through the sale of the property of officials directly responsible for unleashing the war, or at the expense of business income from entrepreneurs who have directly supported the illegal aggression. Naturally, compensation for this damage is possible only after full payment of the reparations necessary to restore Ukraine’s economy and civil infrastructure. What do you think about this? #nowar#netvoine

[two selected comments + one response by the author]

Zmey Gurevich A difficult question. It’s true that the monstrous war forced me to leave Russia. But to my incredible surprise, I have have become happy here [in emigration]. Perhaps it’s immoral to be happy when rivers of blood overflow their banks. It’s been eating at me. But the painful departure has led me a new happiness. Some vital knots have been untied… No, I have nothing to bill [the Russian authorities] for. My friends empathize with me and ask me how things are going here. I can’t tell them the truth. I am ashamed. But my departure has turned into a happy time for me. I don’t know what will happen next.

Vlad Shipitcyn Zhenya! Did you go to at least one protest rally against Putin in Russia over [the last] 22 years? No, you didn’t. Did you ever stand on the stand on the street holding a [protest] placard? No. So no one owes you anything, not a kopeck. You too are responsible for both the regime and the war. You let them happen. So calm down.

Evgeny Krupitsky Hi! Yes, I am responsible for this war: it happened due to my connivance, indifference and cowardice. And I said it right away: https://www.youtube.com/watch?v=GsAFChc2HSI And my protest was that on March 6, exactly a year ago, I left the Russian Federation having abandoned everything, because I felt sick and ashamed. Okay, maybe it’s not such a big deal in terms of significance and courage, but I am proud of my little protest. I know you went to the rallies long before the start of the war, that you were detained, beaten and fined, and I respect and admire you for that! But someone will say that they suffered more than you did, that they did more to prevent this war, etc. We need to consolidate, rather than argue about who is more to blame!

Source: Evgeny Krupitsky (Facebook), 3 March 2023. Translated by the Russian Reader

Evgeny Krupitsky, “My take on what’s happening (2 April 2022) #nowar #netvoine”

Some people in Russia are living a normal life, but they feel the lack of real normality, and this causes them discomfort. Others live with a sense of catastrophe, but they feel the absence of a real catastrophe, and this also causes discomfort. Consequently, everyone is on edge. The sensible approach is to live normally with a sense of disaster. But this useful attitude is hard to achieve, and if you don’t have it, then I do not even advise you to start. When it takes shape, it will no longer be relevant.

Source: Grigorii Golosov (Facebook), 4 March 2023. Translated by the Russian Reader


[…]

The four members of this “countryside hub” are among hundreds of Russian opposition activists of various political leanings who have fled their country to Georgia throughout the past year. Some left in the months prior to Moscow’s invasion of Ukraine last February as repression grew to unprecedented levels in the Putin era. Others came after the war began, realizing that with their dissenting opinions, they could no longer live in what they deem a fascist totalitarian state. 

In Tbilisi, they have created or joined new anti-war resistance organizations, which operate on Western grants and employ hundreds of volunteers. Working around the clock, these groups offer services in real time to Ukrainians refugees as well as Russian activists and military deserters fleeing their respective countries. The help comes in the form of evacuation routes, therapeutic services, legal guidance, shelters and resettlement plans.

[…]

From her volunteering as an election monitor in Russia’s 2011 elections to offering pro-bono legal support to activists arrested during protests in subsequent years, Burakova’s career followed a linear trajectory. Degrees in political science and law equipped her with the legal know-how to aid political opponents, and now exiles, over how to wrestle with and escape an authoritarian system that often invents new laws to persecute citizens. As of 2022, “discrediting the Russian army” is now an offense that has landed countless people in prison for sharing anti-war posts on social media.

[…]

“To conduct these types of congresses and host mock parliamentary votes on Russia’s future while in exile just looks a bit cringe-ova,” Burakova tells me, using the popular English word that has been appropriated into the Russian language. Her husband Egor Kuroptev shares the sentiment. 

Source: Aron Ouzilevski, “Russian activists in Tbilisi organize to resist Putin’s war,” Institute of Current World Affairs, 1 March 2023. Thanks to Sveta Voskoboinikova for the heads-up. The emphasis is mine. ||| TRR


M., one of my smartest interlocutors, arrived from Moscow Time. “Well, what is your final conclusion? Why?” he asked me. I told him that now I see three points that we simply missed, that ended up in our blind spot. The first point is that of course everyone worked hard during these years, enthusiastically; everyone had an articulated mission in life, etc. But it was seemingly taken as a natural given that each of us was the client of someone a few floors above us. Now everyone looks back and discovers that their mission has been burned for a long time, and their belonging to one or another Moscow (or regional) clan shines forth in their biography. For some reason, it was automatically believed that, in the nineties, we operated in a world in which, when difficulties arose, we should turn to “the man from Kemerovo” (in the words of Grebenshchikov’s song). In the noughties, however, all this was allegedly vanquished. In reality, nothing was “vanquished”: it was simply transformed into large-scale state clans. That is why now everyone who was engaged in charity, book publishing, media development, etc., has suddenly shifted the emphasis in their reflections on life: wait a second, I worked for Abramovich (or Gusinsky, or Potanin, etc.). The system consisted entirely of a network of clients.

The second point: the language of pragmatic communication. It was a completely abusive language. The smash-mouth jargon permeated everything. Roughly speaking, the country was governed in the language of American rappers (i.e., the Solntsevo mob). All communications! Not only the special communications among those in power, but also all communications in the liberal, academic realm, in civil society. The cynical jargon of abuse reigned everywhere, and it was absolutely acceptable even in highly cultured milieux. And we did not see what consequences this would have.

The third point: “populism.” The automatic perception of the “common people” [narod], which had its origins in the late-Soviet and perestroika periods, was a colossal mistake. It was tacitly assumed, first, that there was a “common people”; second, that the “common people” would determine their own fate; and third, that the “common people” naturally triumph over evil because they themselves are good. It was this “populism” that served as the basis for the compromise with the state when it began to take institutional shape in Yeltsin’s wake.

All three of these points were “organic” in some sense. They were a part of ontology: they were taken for granted without any reflection and criticism. And all three played a fatal role in the process of “slowly boiling the frog alive.”

Source: Alexander Morozov (Facebook), 5 March 2023. Translated by the Russian Reader


Aquarium, “The Man from Kemerovo” (2003)
I had problems,
I had gone way too far.
The lower depths of the deepest hell
Didn't seem so deep to me.
I called my mom,
And Mom was right.
She said, "Straightaway you've got to call
The man from Kemerovo."

He is a man of few words, like de Niro.
Only a wacko would argue with him.
You can't pull one over on him,
He knows all the insides and outs.
The sky could crash to the ground,
The grass could stop growing,
He would come and silently fix everything,
The man from Kemerovo.

Adam became a refugee,
Abel got on a mobile connection,
Noah didn't finish what he was building,
Got drunk and fell face down in the mud.
The history of humankind
Wouldn't be so crooked,
If they had thought to get in touch
With the man from Kemerovo.

I got a call from Kyiv,
I got a call from Kathmandu,
I got a call from the opening of the plenum —
I told them I would not come.
You have to drink two liters of water at night,
To have a fresh head in the morning.
After all, today I'm going to drink
With the man from Kemerovo.

Source: ezh108 (YouTube). Lyrics translated by the Russian Reader


Only one conclusion follows from Stalin’s death: woe is the country where tyrants die natural deaths while still in power.

Source: Roman Osminkin (Twitter), 5 March 2023. Translated by the Russian Reader. Mr. Osminkin’s remarks were occasioned by the social media commemoration of the anniversary of Stalin’s death, yesterday, which often as not consisted of replicating the meme “That one croaked, and this one will croak too.” This means, apparently, that the entire “plan” of the “Russian anti-war movement” and the “anti-Putin opposition” consists in waiting for the current Russian tyrant to die a natural death. It’s a frank admission to be sure. ||| TRR

Calcium Carbonate

Two women are talking on a bus. One is going to Kyiv, the other to Riga.

— Why are you going back?

— Oh that. I have to bury the husband, at last. He’s been lying in the crematorium for four months. They’ve finally cleared the cemetery of mines.

— …

Source: Anastasia Magazova, Facebook, 10 August 2022. In the original, the dialogue between the two women is in Russian, while the two introductory sentences are in Ukrainian. Translated by the Russian Reader


The grille of the railing on Singers Bridge (Pevcheskii most) in central Petersburg. Photo courtesy of Wikipedia

We were cruising the Moika by boat and came upon three military men standing on the hump of Singers Bridge — an infantry officer, a naval officer, and an aviator in the Syrian Army. They smiled at us and waved. At the last moment the sailor also shouted, nearly without an accent, “Glory to Russia!” FML

Source: Nikolay Konashenok, Facebook, 11 August 2022. Translated by the Russian Reader


A Russian National Guard special rapid deployment force unit in Petersburg. Photo courtesy of Militaryimages.net

while I was feeding the baby, the culture channel showed the culture news. a priest said, but our parish’s residents (we heard “rapists”) defended Russia in Chechnya and other wars. images of icons featuring saints in military uniforms flashed on the screen. such are the culture news in the russian federation.

Source: Roman Osminkin, Twitter, 11 August 2022. Translated by the Russian Reader


While waiting for a friend in Kuzminki, I overheard a conversation between two old men. (Chemists?)

— Do you mean to say, Mikhail Innokentyevich, that collective responsibility doesn’t exist?

— Why not? It does exist. But you can’t dissolve in it or engage in handwringing. You have to be firm whenever you can.

— But the proportion of such a solution is what matters to me. When should one dissolve, and when should one remain a solid substance with one’s own interests?

— Well, let’s suppose it’s CaCO3.

— And what do we use to dissolve it? Water? Or hydrochloric acid?

— Hmm, hydrochloric acid, probably. But what do we do now? Can’t we even precipitate?

Source: Zhanna Chernenko, Facebook, 12 August 2022. In Russian, the set phrase vypast’ v’ osadok, aside from its literal, “chemical,” meaning — “(to) precipitate (out of a solution)” — can also mean 1) (to) be very surprised; 2) (to) break with one’s circle; and 3) (to) get very drunk. Translated by the Russian Reader

The Living End (Russia Day 2022)

“A week of discounts from domestic brands! We’re celebrating Russia Day! Russian goods at discounts from 12%” A screenshot of the email flyer I received earlier today from Ozon, Russia’s answer to Amazon.


I read with my own eyes a post by a journalist (a well-read woman and so on) that there have been shortages of Dijon mustard in France (the seeds came from Ukraine). She says it’s not good to gloat, but it’s still somehow hard to resist.

Since the norms of behavior forbid us to analyze the psyches of strangers without their asking, it remains only to say in the words of one classic author, addressed to another classic author:

God, how sad our Russia is!

Source: Anna Narinskaya, Facebook, 11 June 2022


“What, should I die and not live?” “Who would I make happier by getting arrested?” “I have my health, elderly parents, mortgage (crossed out), cat (crossed out), students, and deadlines to worry about.” “Why doesn’t Syria get so much sympathy?” “One must stand with one’s country, right or wrong.” (Crossed out.) “We have one life to live, and we should think about eternity and loved ones, not politics.” Have you been saying such things to yourself? I have been, constantly, usually silently, only to myself. But then I think that it is a way of normalizing the abnormal, of normalizing the fascist situation, that it is the next stage in the collapse of my personality, and perhaps of the country, morality, culture, and sociability, a new stage and state into which I and all of us are entering.

Source: Sergey Abashin, Facebook, 12 June 2022


“You’re not Peter the First [Peter the Great], you’re Adolf the Second.” Source: Rustem Adagamov, Twitter, 12 June 2022: “The town of Siversky, near St. Petersburg.”


A close female friend writes to me from Moscow that “fun” is in the air again there on the streets and “in the corridors.” “The war has boiled over and cooled down”: it has been put on the back burner. The shock has passed and “the war is somewhere else.” The summer routine has overtaken it. “Well yeah, there’s the war, but does that mean we’re now supposed to stop living?”

Source: Alexander Morozov, Facebook, 11 June 2022


“Wait [for his death]. Press the button to cross the road.” Source: @d_valkovich, Twitter, 11 June 2022: “The voice of the Moscow streets.”


So you bitches are enjoying the summer, right? The birds are singing, the lilacs are blooming, the mosquitoes are buzzing… But it’s no fucking summer, it’s your eternal black February in summer guise, it’s the horseman of the apocalypse pounding his hooves, you see a cloud of dust in the distance… These are the end times.

Source: Roman Osminkin, Twitter, 11 June 2022


Sometimes I have dreams where someone falls off a roof or gets hit by a train. I never see the death itself, but only sense that something irreparable has happened. Something very scary, because it is forever. Then I wake up.

Like many people, I am waiting for this horror to end. The fact that the end exists at all gives us some hope in our helplessness. But we’re not going back to a world where none of this happened. Something irreparable has happened. Tens of thousands have been killed, and probably hundreds of thousands have been crippled in one way or another. It is forever. It cannot “end.”

________________

A dog near its house, which was destroyed by a shell, Kostiantynivka. Photo: Gleb Garanich for Reuters/Scanpix/LENTA

Source: Natalia Vvedenskaya, Facebook, 12 June 2022


All translations by the Russian Reader

The Showdown at Petersburg’s Zubov Institute

Editor’s Note. The latest news from the front lines in the confrontation between the Russian Institute of Art History (Zubov Institute) in Petersburg and the Russian Federal Ministry of Culture is that Jamilya Kumukova, chair of the trade union committee at the Institute, has been threatened with firing in the run-up to a protest rally scheduled for July 9.

_____

(Original at www.anticapitalist.ru)

An Academic Treasure Trove Doesn’t Want to Be a Klondike for Bureaucrats

A fight has erupted in Petersburg over the Russian Institute of Art History [also known as the Zubov Institute and abbreviated “RIII” in Russian]. The Ministry of Culture has been carrying out a hostile takeover of the institute in an attempt to get its hands on the institute’s premises, [a nineteenth-century mansion in downtown Petersburg]. Researchers and graduate students have been trying to fight off the siege.

1. zub-entrance

It all began in May 2012, when President Vladimir Putin signed a decree increasing salaries for scientists and scholars. The Ministry of Culture, which had just then been headed by Vladimir Medinsky, ordered the research institutes under its jurisdiction to increase salaries. But no funds for this increase were earmarked in the state budget. To fulfill the president’s decree, RIII director Tatyana Klyavina had to cut seventy-one positions. But that was only the beginning.

In 2013, the Ministry of Culture ordered yet another salary increase (of 28%), which would have meant dismissing a further fifteen employees. Klyavina refused to raise salaries through layoffs, for which she was subjected to a vigorous harassment campaign and eventually fired after leading the Institute impeccably for twenty-one years.

The Ministry of Culture got ready to celebrate. After all, by 2018, when salaries were slated to be increased to 200% of current levels, no one at all would have been left in the Institute. This meant it could already relocate the remaining miserable clutch of useless scholars to any old outbuilding, thus freeing the famous mansion with a view of St. Isaac’s Cathedral for more pressing needs, and merge the Institute itself with the first comer.

Today, the state has no use for research on Tchaikovsky, Scriabin, and Malevich. What it needs are people to carry out practical “monitoring” of Russian culture and compile exhibition booklets. It thus does not understand the essence and purpose of the research conducted at the institutes under its jurisdiction. Despite its incompetence, however, like a bull in a china shop it goes through the motions of “reform” and “modernization.” The main thing is not to deviate from the general line, and let the consequences be damned.

But whomever the Ministry sent to cajole the Institute’s indignant staff, it only aggravated the situation. After all, the RIII, which was founded in 1912 and in whose halls such renowned literary scholars, art historians, and musicologists as Yuri Tynyanov, Boris Eichenbaum, Boris Asafyev, Viktor Zhirmunsky, and Antonin Preobrazhensky worked, has experienced revolution, civil war, Stalin’s purges, and the Siege of Leningrad over its history. In the 1990s, it regained its autonomy and original name. The Institute’s staff has thus developed immunity to all manner of crackdowns and takeovers.

2. osminkin
“Mr. Medinsky, research is a profession, not a hobby!”

Today, news from the Zubov Institute resembles reports from the front lines. Here is a brief chronicle of recent events.

On June 31, Culture Minister Medinsky descended on the RIII without warning. Locking himself in the director’s office, Mr. Medinsky refused to talk to staff, leaving Andrei Karpov, acting director of the Ministry’s oversight and personnel department, to act as his “hellhound” in the waiting room. Mr. Karpov, who currently heads the ministerial committee auditing the Institute, took his role as guard so seriously that he struck cinema department grad student Olga Yevseyeva, who had come to give the minister a letter written by the Institute’s graduate students.

On July 2, an emergency meeting of RIII staff took place. In the middle of the meeting, the new director, Olga Koch, appeared in the hall, accompanied by private security guards. The guards said they had been hired by the Institute’s new management to  protect historical valuables, although in the Institute’s hundred-year history not a single rare manuscript or musical score has ever disappeared from the building.

The art scholars unanimously stood up and turned their backs to Koch, stamping their feet and chanting, “Get out!” After the director ran out of the room as if she had been scalded, the assembly continued, adopting a strongly worded resolution. Here are its principal points:

1. We voice our lack of confidence in the ministerial commission headed by Andrei Karpov, who permitted himself to use force against a graduate student of the Institute.

2. We voice our indignation at Culture Minister Vladimir Medinsky’s arbitrary decision to shift the work of the Ministry’s departments to the Institute.

3. We protest against the transformation of the Institute into a high-security facility in connection with the hiring of a private security firm to work at the Institute.

4. We demand that Minister Medinsky retract his statement that the apartments in the wing of the Institute are “handed out right and left.”

5. We voice our lack of confidence in acting director Olga Koch, who publicly threatened staff with a “crackdown,” and we demand that the decree appointing her, dated June 18, be rescinded.

6. We are sending a telegram to Russian President Putin and Prime Minister Medvedev.

7. We voice our support for the Russian Academy of Sciences.

On July 3, graduate students from the RIII and the European University held a series of solo pickets in support of Institute staff and against the Ministry of Culture’s policies. The young people stood outside Petersburg city hall, the city’s legislative assembly, and the entrance to the Institute with placards reading, “Mr. Medinsky, research is a profession, not a hobby” (a play on Medinsky’s statement that the “government won’t be funding a hobby”), “Save the Zubov Institute!,” and “No to Mass Layoffs at the Zubov Institute.”

The graduate students handed out leaflets that read as follows:

For the second month running, we, researchers and graduate students at the Russian Institute of Art History, have been forced to defend our right to do research instead of doing that research. In May 2012, Russian President Vladimir Putin issued a decree ordering an increase in the wages of scientists and scholars to the average cost of living in their regions.

This good intention, however, was brought low by the total lack of additional funding. The new effective managers from the Ministry of Culture, led by Vladimir Medinsky, took the easy route and decide to fire everyone whose research was not sufficiently in demand. In their opinion, demand is nothing more than the amount of money earned. But the humanities cannot be reduced to a monetary equivalent.

By cutting back on basic research and firing specialists who are unique in their fields, Russia is rapidly turning into a peripheral power, capable only of supplying raw materials to more developed countries. What is more, it is forever losing access to the history of its art and culture, which means irrevocably losing its capacity for nurturing full-fledged individuals and citizens. So defending the Zubov Institute is for us today not just a matter of professional honor but also a civic duty.

The same evening an open street conference in support of the Zubov Institute took place. It took the form of a Street University—lectures and meetings of students and teachers held outdoors and open to all comers. Street University was established in 2008 during the campaign against attempts to close the European University in Petersburg under false pretexts.

3. uu-zub
Street University in Defense of Zubov Institute, July 3, 2013

In that case, the authorities backed down, and the European University continued to operate in its old mansion on Gagarinskaya. What will happen in this case?

Both RIII staff and graduate students attended the conference, along with colleagues from friendly institutes. Tamara Ismagulova talked about the history of the Zubov Mansion, how the institute was established, and how it survived during the hard years of the Stalinist Thermidor. Yevgenia Hazdan talked about the journal Annals of the Zubov Institute, which was first published in the 1920s, lasting all of four years. Who would have thought that the recently revived journal might repeat the fate of its predecessor?

Sociologist Oleg Zhuravlev from the European University Institute in Florence argued that what is happening to the Zubov Institute is consistent with the overall trend in Europe of cutting spending on science and education, a trend that reveals the contradiction between democracy and the market economy.

Dmitry Golynko, from the contemporary artistic culture department, shared his recollections of the department’s work during the nineties, when the Institute was a hotbed for cutting-edge research in art. Pavel Arseniev and Roman Osminkin read poems, and at the evening’s conclusion a researcher from the musicology department even played several songs on the accordion, including “If I Had Mountains of Gold.” It was a quite symbolic coda, because the whole point of the conflict between the Ministry of Culture and the Zubov Institute is the Ministry’s insatiable desire to turn art scholarship into a gold mine.

5 July 2013 — Roman Osminkin, Russian Socialist Movement

_______

(Original at  www.colta.ru)

Dmitry Golynko-Volfson
3 July 2013
The Language of Violence: Scholarship and Power in the Russian Federation

Literally overnight, the Russian Institute of Art History (also know as the Zubov Institute for its founder, Count Valentin Zubov) was transformed from a quiet academic oasis (as Petersburgers are used to seeing it) into the epicenter of a scandal, a tense standoff between the academic community and managers from the Ministry of Culture. At the Ministry’s behest, Tatyana Alexeevna Klyavina, who for over twenty years had skillfully and competently managed the Institute, preserving its pleasant working environment and atmosphere of unconditional mutual respect, was fired. Thanks to her efforts, both during the momentous nineties and the stable (and allegedly sated, but in reality very sparingly state-subsidized) noughties, the RIII’s team of researchers had been able to focus on basic academic research without personally worrying about urgent economic problems. In addition, her tenure was focused on making sure the Institute maintained a well-calibrated balance between classical, traditional art scholarship and experimental, innovative, future-oriented research. Tatyana Alexeevna was also the long-time chair of the contemporary artistic culture department, which I had the good fortune to join in 1995. In the nineties, the department was a unique place where cutting-edge research in postmodernist theory was combined with the direct involvement of researchers in shaping the new culture and new art of the legendary post-perestroika period.

Открытие выставки "Тициан" в Москве
Culture Minister Vladimir Medinsky

The confrontation between Institute staff and the Ministry slowly but relentlessly escalated throughout the first six months of this year (after the newly appointed Minister Vladimir Medinsky had announced plans to reform the research institutes under his jurisdiction). The showdown between researchers and bureaucrats shifted into an active phase after Klyavina was fired, and Olga Koch, former rector of the Saint Petersburg University of Culture and Art, was named acting director. Institute staff was openly hostile to Koch’s top-down appointment and refused to cooperate with her on any issues related to academic planning. In addition, at meetings of the academic council and the staff union, which were open to the press, they passed toughly worded resolutions and proposed strategic methods for resolving the conflict (from shifting the Institute to the jurisdiction of the Russian Academy of Sciences to putting it under the care of the municipal government).

The conflict reached an obvious climax on Friday, June 28. As a result of a visit by Culture Minister Medinsky to the RIII that was deliberately kept secret from the Institute’s researchers, a monstrously absurd “brawl” took place in the waiting room of the director’s office, which was widely reported in print and online media. Unfortunately, I witnessed this shameful episode. Since the minister had locked himself in the director’s office and refused to meet with research staff, who were demanding an explanation, his aide, Andrei Karpov, acting head of the Ministry’s oversight and personnel department, began using brutal methods to pacify the researchers besieging the office—simply put, he started pushing them. In particular, this portly gentleman, intending to slam shut the door to the waiting room, pushed Olga Yevseyeva, a graduate student in the cinema department, and Anna Nekrylova, deputy director for research, who had come to Olga’s rescue, in front of numerous witnesses and the press. (Medical personnel at an emergency room attested the injuries they received.)

After the battle, Vladimir Medinsky “went out to the people” after all, reassuring staff that the Institute would be preserved, and Count Zubov’s mansion, a tasty morsel for developers, would not be expropriated. However, it was clear that a point of no return had been passed. The already difficult dialogue between scholars and culture bureaucrats had moved from the mild, evasive language of administrative accommodation, persuasion, and intimidation to the jargon of institutional violence (or “mythical violence,” to borrow Walter Benjamin’s term). Olga Serebryanaya has offered a curious analysis of this incident from the standpoint of Hannah Arendt’s theory of violence. She writes, “Medinsky does not explain his position or try to convince the researchers that he is right; [instead] he sets a limit on their involvement.” (It is telling that Medinsky pointedly refused to take a letter from the graduate student body delivered to him by Olga Yevseyeva.)

Ex-Zubov Institute Director Tatyana Klyavina

In addition to a painful emotional state, this protracted conflict has caused staff to have well-founded, troubling doubts about the Institute’s immediate future. These doubts have to do with both practical, administrative and financial, matters (whether salaries will be paid on time) and more abstract, theoretical questions — how the Institute’s academic and research policy will shape up, and what the scenario and trajectory for future fundamental changes is. In fact, the reorganization of the Zubov Institute, which has caused a flurry of discontent, is a consequence of the revamping of the entire system of the humanities in Russia, a painful revamping carried out by the authorities that, according to many experts and observers, seriously threatens to destabilize (if not destroy) this system. Against the backdrop of the massive public campaign currently unfolding in support of the Russian Academy of Sciences, the tense situation around the Zubov Institute is a vivid symptom of the communicative impasse and total absence of feedback between basic science and scholarship and the state agencies supervising it.

Over the past six months, the Ministry of Culture has changed directors in four of the five institutes under its jurisdiction. We have to assume that it is planning (and already eagerly implementing) a radical renovation of the entire infrastructure of academic art scholarship, its transition into the realm of the strictly practical and utilitarian. But what are the criteria and parameters of this renovation, aside from the rather vague demands for efficiency and optimization, regularly voiced by officials? In December 2012, the Ministry of Culture circulated a proposal for staff at its research institutes to include in their scholarly work the “creation of calculation methods, cumulative indices based on the use of expert assessments, for determining the effectiveness of institutions working in the field of the performing arts and folk art.” The Ministry of Culture envisions the future of art scholarship as part of a major government contract that would stipulate the specific cognitive services academic researchers provide to the state. The state commission launched by the Ministry of Culture suggests that a researcher’s routine work will range from calculating efficiency indices and optimization coefficients (thus equating the researcher to an economic consultant) to drafting concepts for the long-term development of the industry under the auspices of “national projects” (thus saddling the researcher with the role of manager).

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Russian Institute of Art History (Zubov Institute)

Hardly anyone today would dispute the fact that the humanities in Russia are in need of an urgent and comprehensive transformation. But the direction of such reforms should still be determined by taking into account the interests, opinions, and wishes of the humanities scholars themselves, rather than by the impulsive decisions of state officials, which paradoxically combine neoliberal technocracy with elements of Soviet economic planning. Apparently, the only chance to settle the administrative conflict that has now broken out at the Zubov Institute is to organize a dialogue between researchers and the authorities not in the “brawling” mode, but as a conceptual and ideological debate. If the authorities nevertheless do not dare to listen respectfully to the academic community and sit down to constructive negotiations with it, then I am afraid the dark and dismal prospects now looming on the horizon will become quite inevitable realities. The research institutes, the cognitive factories where academic researchers, despite many years of precarity, have been diligently engaged in producing new meanings and promoting knowledge, will gradually and inevitably be dismantled. Fighting today to save the Zubov Institute and other research institutes under the Ministry of Culture’s jurisdiction also means fighting for (the seemingly long ago reclaimed) freedom and autonomy of the humanities.

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Footage by Sergey Yugov of the Street University in defense of the Zubov Institute, held on July 3, 2013. More footage from the event can be found here, here, here, here, and here.